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IFFI Day 2 showcases India’s Creative Potential through Masterclasses, Roundtables, and Talent Showcases

Goa: 21/11/25: The second day of the 56th IFFI 2025 saw a dynamic blend of global cinematic exchange, emerging talent showcases, high-level diplomatic engagement, and vibrant cultural conversations. A series of key events—including the inauguration of the Masterclass Series, launch of Creative Minds of Tomorrow (CMOT) 2025, the Ambassadors’ Roundtable, a dialogue on cinema, and a star-studded Red Carpet—highlighted IFFI’s growing stature as a premier international festival.

Dr. L. Murugan Inaugurates IFFI 2025 Masterclass Series

Union Minister of State for Information & Broadcasting and Parliamentary Affairs Dr. L. Murugan inaugurated the Masterclass Series at Kala Academy, Goa, in the presence of senior officials and noted film personalities.

For the first time, the inauguration was opened to the general public, reflecting IFFI’s commitment to wider accessibility. Participants from Australia, Japan, Germany, and Canada have joined the segment.

CMOT 2025 Begins: 125 Young Creators Take On 48-Hour Filmmaking Challenge

The fifth edition of Creative Minds of Tomorrow (CMOT) commenced with 125 emerging filmmakers participating in an intensive 48-hour filmmaking challenge.

Dr. Murugan encouraged participants to harness the high-pressure environment to refine their craft and highlighted initiatives such as the new Indian Institute of Creative Technologies, Mumbai, aimed at strengthening India’s creative economy and supporting next-generation talent.

Red-Carpet Segment Draws Star Power and Audience Engagement

The Red-Carpet segment continued to be a major attraction, with renowned cinema personalities attending Gala Premieres of films at the festival. Designed to connect audiences with filmmakers, the segment showcased World, Asia, and India premieres, adding glamour and vibrancy to the festival atmosphere.

India Highlights Co-Production Strength at IFFI Ambassadors’ Roundtable

IFFI hosted an Ambassadors’ Roundtable with diplomats from partner nations to explore enhanced cooperation in co-production, technology partnerships, and regulatory facilitation.

Secretary, Ministry of I&B, Shri Sanjay Jaju highlighted India’s emergence as a global production hub, while Dr. Murugan underscored co-production as a key pillar of audio-visual collaboration.

He noted the projected growth of India’s media and entertainment sector to USD 31.6 billion in 2025, supported by advancements in VFX, animation, and anti-piracy measures through inter-ministerial coordination.

Conversation on ‘Cinema and Culture: Reflections from Two Eras’ Held at IFFI

A special In-Conversation session featuring Muzaffar Ali and Shaad Ali, moderated by Shaad Ali, offered insights into Indian cinema across generations.

The interaction, preceded by a felicitation by Ravi Kottarakara, presented a rich dialogue on memory, creativity, and evolving artistic practices.

About IFFI

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia’s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse—where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix—international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa’s stunning coastal backdrop from November 20–28, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices—an immersive celebration of India’s creative brilliance on the world stage.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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