Home » Entertainment » MIFF 2026 Showcases Documentary Tributes to Indian Maestros of Photography and Classical Music

MIFF 2026 Showcases Documentary Tributes to Indian Maestros of Photography and Classical Music

Mumbai:19/6/26:Two acclaimed documentaries, Raghu Rai: Hearing Through the Eyes and Tala and Rhythm – Mridangam Played by Palghat Raghu, were showcased today in the Homage section of the 19th Mumbai International Film Festival (MIFF). The screenings paid tribute to distinguished contributions in the fields of photography, cinema and Indian classical music.

Directed by Suvendu Chatterjee, Raghu Rai: Hearing Through the Eyes offers an insight into the life and work of renowned Indian photographer Raghu Rai. Through photographs and personal reflections, the documentary traces his creative journey and the experiences that shaped his vision. In 1977, Rai was nominated to Magnum Photos by legendary photographer Henri Cartier-Bresson.

The film explores Rai’s concept of “darshan”, which he describes as an emotional and spiritual connection with the subject. According to him, photography is not just about capturing images but about understanding people and their emotions.

The documentary revisits major historical events documented by Rai and showcases his iconic photographs of personalities such as Mother Teresa, alongside images of everyday life, including Ganesh Visarjan, the Taj Mahal and Naga Sadhus, reflecting India’s rich cultural diversity and heritage.

The film also features his daughter, filmmaker Avani Rai, whose perspective provides a glimpse into the person behind the camera and creates a dialogue between two generations of image-makers.

Reflecting on creativity, Raghu Rai says that love is the central thread that connects artistic expression. He believes that a photograph should speak for itself and describes an image as the coming together of one’s inner and outer worlds in a meaningful moment. He also encourages young photographers to discover their own voice and approach to the medium.

The second film showcased today, Tala and Rhythm – Mridangam Played by Palghat Raghu, was produced by the Films Division of India and directed by noted filmmaker Shyam Benegal. The documentary explores the Mridangam, one of the oldest and most important percussion instruments in Carnatic music.

Featuring renowned percussionist Palghat Raghu, the film explains the concepts of tala (rhythmic cycle) and rhythm in Indian classical music. Through demonstrations and performances, it introduces audiences to the structure of beats, cycles and improvisation that form the foundation of the musical tradition.

The documentary also showcases the techniques involved in playing the Mridangam, including finger movements, tonal variations and rhythmic patterns. It highlights the importance of discipline, practice and creativity in mastering the instrument.

Alongside its exploration of musical theory, the film emphasizes the rich oral tradition through which knowledge is passed from teacher to student. It reflects the strong bond between guru and disciple that has sustained India’s classical music traditions across generations.

The screenings of both documentaries in the Homage section offered audiences an opportunity to gain insight into the lives and contributions of celebrated masters, while deepening their appreciation of India’s artistic and cultural heritage.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
x

Check Also

Odisha State Sericulture Research and Training Institutehas organised its first Farmers’ Training Programme

Bhubaneswar:19/6/26:The Odisha State Sericulture Research and Training Institute (OSSR&TI) has organised its first Farmers’ Training Programme on “Tasar Host Plant Nursery and Its Management” from 19 June to 23 June ...