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Festival de Cannes has announced the nominations for its 51st ceremony:18 films. 61 nominations

Paris: 30/1/26: The César Academy has announced the nominations for its 51st ceremony, to be held on February 26, 2026, at the Olympia in Paris. The Festival de Cannes would like to congratulate all the teams behind the 18 films from the 2025 Official Selection, honoured this year with a total of 61 nominations across 21 categories

Festival de Cannes Official Selection are in the running for 21 categories: 10 nominations for Nouvelle Vague by Richard Linklater (Competition). Dossier 137 by Dominik Moll, also in Competition at Cannes, receives 8 nominations, as does Stéphane Demoustier’s The Great ArchThe Little Sister by Hafsia Herzi, awarded the Best Actress prize at Cannes, earns 7 nominations. Thierry Klifa’s The Richest Woman in the World receives 6 nominations. Arco by Ugo Bienvenu and Amélie Bonnin’s Leave One Day (Opening Film) each receive 4 nominations. Cédric Klapisch’s Colours of Time garners 3 nominations. It Was Just an Accident, Palme d’Or at the 78th Festival de Cannes, secures 2 nominations. The following films each receive 1 nomination:Little Amélie or the Character of the Rain by Maylis Vallade and Liane-Cho Han, The Secret Agent by Kleber Mendonça Filho (Best Director and Best Actor prizes), Sentimental Value by Joachim Trier (Grand Prix), Sirātby Oliver Laxe (Jury Prize ex-aequo), Météors by Hubert Charuel, 13 Jours 13 Nuits by Martin Bourboulon, Black Dog by Guan Hu (Un Certain Regard Prize 2024), Les Belles Cicatrices by Raphaël Jouzeau, and Fille de l’Eau by Sandra Desmazières.Richard Linklater’s Nouvelle Vague leads with 10 nominations.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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