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Dayanadiru Niranjana — a journey from war to wisdom, from grief to grace

Adysha Das

Holding the book Dayanadiru Niranjana in my hands is like holding the pulse of two rivers — and through them, the pulse of India’s civilizational conscience. This profound work by Jnanpith Laureate Dr. Pratibha Ray flows like a conversation between two sacred rivers — Daya of Odisha and Niranjana of Bihar — weaving history, philosophy, and human emotion into one seamless current.

Through the lyrical and meditative dialogue between these two rivers, Dr. Ray reimagines the Kalinga War not merely as a chapter of bloodshed but as a turning point in human consciousness — the transformation of Chandashoka into Dharmashoka. The Daya River, which silently witnessed the merciless carnage that turned her waters crimson, becomes the symbol of suffering endured with compassion. Her name itself — Daya, meaning mercy — is a haunting irony that mirrors the tragedy she beheld.

Across the narrative, she converses with her sister river Niranjana, on whose tranquil banks Prince Siddhartha attained enlightenment under the Bodhi Tree. If Daya embodies sorrow and silent forgiveness, Niranjana symbolizes transcendence — the journey from anguish to awakening. Between them, flows the story of Buddha’s vision and Ashoka’s redemption — the evolution of human cruelty into compassion, of violence into peace.

Dr. Ray’s prose breathes both poetry and philosophy. She makes the rivers speak as witnesses to time — women-like in endurance, nurturing yet wounded by war and history. The narrative carries the fragrance of Odisha’s soil — the courage of the Paika warriors, the saffroned waters of women bathing with turmeric, and the meditative calm of Dhauli Hill, where stone remembers what history forgets.

To hold Dayanadiru Niranjana is to hold centuries of memory — the sighs of Kalinga’s fallen heroes, the tears of widows, and the awakening of a repentant emperor who would go on to spread the message of peace across the world. It is not merely a novel, but a river of reflection — carrying us from Daya, the river of compassion, to Niranjana, the river of enlightenment — a journey from war to wisdom, from grief to grace.

About the writer

Dr. Adyasha Das is a Professor at the Indian Institute of Tourism & Travel Management, Bhubaneswar, Ministry of Tourism, Government of India. She is an unmistakable voice among the young writers in Odia and English in Odisha. A poet and short-story writer in English and Odia, she has three books of poems and one short story collection to her credit. Her works have been widely translated into various languages such as Hindi, Bengali, Nepali, Manipuri, French, and German. Adyasha is known for her insightful and colourful portrayals of life. Her stories and poems are based on varied themes. Suffused with sensitivity, they are reflective and sensuous at the same time.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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