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After Arijit Singh, is Shreya Ghoshal planning to take a break?

Mumbai:16/3/26:Shreya Ghoshal is known for her extraordinary vocal range and has built a remarkable career across Bollywood, regional cinema and independent music. Having recorded more than 3,000 songs in over 20 languages, the singer has carved out a powerful reputation in the entertainment industry. Often referred to as the Melody Queen of India, she remains one of the most influential voices in Indian music. Recently, the singer addressed whether she is considering taking a break from singing following Arijit Singh’s decision to step away from playback singing. Over the years, Shreya has consistently delivered chart-topping songs across multiple languages, building a massive fan base. Her versatility and ability to adapt to different musical styles have helped her dominate the playback singing scene for nearly two decades.

In a recent interview, the singer spoke candidly about her relationship with live performances and what keeps her motivated as an artist. She explained that performing live on stage is a core part of her identity as a singer and something she deeply values.
The singer also shared her views on the idea of lip-syncing during performances. According to Shreya, “I feel very uncomfortable with that. I will stop singing the day I have to do that”. She added that as long as her voice remains strong and she continues her regular practice, or riyaaz, she wants to keep singing live for audiences.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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