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Nuakhai 2025: Nabanna Offered to Maa Samalei in Sacred Ritual

Sambalpur:28/8/25:On the auspicious occasion of Nuakhai, the sacred offering of Nabanna (newly harvested rice) was made to Maa Samalei at the revered Samaleswari Temple in Sambalpur district.

The ritual, performed between 10:33 AM and 10:55 AM by three designated priests, marked the spiritual commencement of the harvest season in Western Odisha.

Following the offering, the temple doors were opened to devotees for darshan, allowing thousands to pay homage to the goddess. Chief priest Ambika Ray confirmed the ceremonial timeline and the temple’s readiness to welcome worshippers.

Union Minister Dharmendra Pradhan, along with Odisha Revenue & Disaster Management Minister Suresh Pujari, Panchayatiraj Minister Rabi Nayak, and Sambalpur MLA Jaynarayan Mishra, participated in the festivities. The Samaleswari Temple Trust Board also hosted correspondents from 29 national media houses at the Bhogamandap to receive Nabanna.

Nuakhai, celebrated predominantly in districts like Sambalpur, Bolangir, Bargarh, and Kalahandi, is more than a harvest festival—it’s a cultural cornerstone. Families gather to share meals made from the season’s first grains, seek blessings from elders, and resolve past disputes. The festival fosters unity, gratitude, and reverence for nature’s bounty.

As the aroma of freshly cooked rice fills homes and temples echo with chants, Nuakhai 2025 once again reaffirms the deep-rooted traditions and communal harmony of Western Odisha.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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