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Ministry of I&B Tableau Showcases India’s Storytelling Traditions and the Vision of WAVES

Newdelhi:22/1/26:The Ministry of Information & Broadcasting’s tableau, “Bharat Gatha: Shruti, Kriti, Drishti,” presents a powerful visual narrative of India’s civilisational journey in storytelling, from ancient oral traditions to its emergence as a global content and media powerhouse. The tableau reflects the spirit of Atmanirbhar Bharat, seamlessly blending cultural heritage with technological innovation.

Shruti symbolises India’s rich oral legacy, depicted through a Guru imparting knowledge to disciples under a Peepal tree, accompanied by sound-wave motifs representing the cosmic resonance of Aum and the origins of knowledge.Kriti marks the evolution of written expression, with Lord Ganesha inscribing the Mahabharata, and also showcases through visuals of manuscripts, performing arts and early communication traditions that shaped India’s intellectual heritage.

Drishti captures India’s media evolution through print, cinema, television and digital platforms. Visual elements such as vintage cameras, film reels, satellites, newspapers and box office symbols honour generations of filmmakers and artists who shaped India’s cultural identity. The tableau also highlights future-ready storytelling through AI, AVGC-XR and virtual production technologies, highlighting the shift to immersive storytelling. Performing artists bring the tableau to life. The theme aligns with MIB’s goal of positioning India as a global content hub, reinforced by WAVES 2025.The Summit marked the “Dawn of the Orange Economy,” with major global participation and significant business engagements.The tableau stands as both a cultural timeline and a forward-looking vision statement, uniting India’s ancient wisdom with its digital future.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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