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India’s first 3D Flex Aqueous Angiography with iStent performed by Army Hospital

Newdelhi:31/12/25:In a landmark achievement for Indian medicine, the Ophthalmology Department at Army Hospital (Research & Referral), Delhi Cantt has successfully performed India’s first-ever 3D Flex Aqueous Angiography with iStent, combining advanced imaging with minimally invasive glaucoma surgery. Conducted with the new stand-mounted Spectralis system and a state-of-the-art 3D operating microscope, this pioneering procedure places the Armed Forces Medical Services at the forefront of global ophthalmic care.

Glaucoma, a leading cause of irreversible blindness, has long challenged clinicians with its silent progression. This breakthrough offers unprecedented real-time visualisation of aqueous outflow pathways, enabling surgeons to deliver precise, targeted interventions and significantly improve patient outcomes.

As the first-of-its-kind in the country, the integration of 3D Flex Aqueous Angiography with iStent, a Minimally Invasive Glaucoma Surgery sets a new benchmark in glaucoma care, ensuring enhanced intraoperative imaging, and better long-term results. For the Armed Forces community, it represents not only a medical milestone but also a strategic leap in safeguarding vision and operational readiness.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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