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Nandini Ghosal Mesmerises Audience on Second Evening

Bhubaneswar:27th December, 2025:The International Odissi Dance Festival, organised by the Guru Kelucharan Mohapatra Odissi Research Centre and Odia Language, Literature and Culture Department, continued to enthral audiences on its second evening at Rabindra Mandap

The five-day festival, which began on 26th December, will conclude on 30th December. The highlight of the second evening was the captivating performance by eminent Odissi dancer Nandini Ghosal, whose presentation of excerpts from Jayadeva’s Gita Govinda left the audience spellbound. Through her graceful movements, expressive abhinaya, and hasta mudras, Nandini Ghosal vividly portrayed the intense emotions of Shree Radha. Her nuanced depiction of the characters of Krishna, Radha, and Chandravali was widely appreciated, drawing prolonged applause from art lovers and connoisseurs alike.

The programme began with a group presentation of Mangalacharan – “Gurubrahma, Guruvishnu, Gurudevo Maheshwara” by artistes of Adrita Dance Group. This was followed by solo abhinaya “Srita Kamala Kucha Mandala” by Sudiksha Panda, “Kirabani Pallavi” by Sai Smruti and “Shankarabharana Pallavi” presented as a duet by Rashmita Maharana and Sabitri Mohapatra. Other notable performances included “Navadurga” by Gayatri Sethi, “Jaya Jaya Jagannatha Nilagiripati” by Pritimayee Bas and Barsha Das, “Durga Tandava” by Deepika Priyadarshini and “Dashavatara” by the artistes of Nrutyayan.

In the afternoon session, artistes of Nehru Colony Odissi Ashram presented “Shiva Stuti and Madhura Basanta”. This was followed by solo and duet performances, including “Dekhiba Para Asare Prana Sangini” by Abhipsa Pati, “Bilahari Pallavi” by Basishtha Jena and Ayush Gunaprabha, “Mohana Pallavi” by Manasi Madhusmita Padhi, “Ardhanarishwara” by Lakshmipriya Sahu and Satya Suryanshu, “Kundalika” by Deepyoy Sarkar, and “Dasha Mahavidya” by the artistes of Shri Dashavatara Natyashala.

The evening session also featured an evocative rendition of the Ashtapadi “Kuru Yadu Nandana” from Gita Govinda by eminent dancer Prabhat Kumar Swain. Other performances included duet and solo presentations by Yogita Basin and Bharda Bhaishampayan, Jagatjit Das, Brinda Chadha, Srujani Nayak and Shrutishree Swain, Arunima Acharya and Bani Ray. The session concluded with a group Odissi performance by the artistes of Aradhana Dance Foundation

The second evening was graced by Secretary, Odia Language, Literature and Culture Department, Dr. Bijay Ketan Upadhyaya, Dr. Balaji Sinoy, eminent Odissi dancer Guru Ratikant Mohapatra, noted danseuse Smt. Deepti Mishra and Administrative Officer of Guru Kelucharan Mohapatra Odissi Research Centre, Smt. Suchismita Mantri, among others.

It is noteworthy that around 350 dancers are participating in this year’s International Odissi Dance Festival, including about 15 international artistes. Participants from Odisha, West Bengal, New Delhi, Rajasthan, Maharashtra, Haryana, Karnataka, and Chhattisgarh, along with dancers from countries such as the USA, France, Germany, Australia, and Malaysia, are taking part in this international dance festival

An art exhibition based on Odissi dance, “Ama Odissi” selfie stand and Odissi-themed sand art installations have also been arranged, attracting considerable attention from the youth.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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