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Home » National » During those days, leading scriptwriters like Jagamohan Lala, Ramsankar Ray, Aswini Kumar Ghosh, and Kampal Mishra used to write plays for the stage which was based on decent stories while Jagannath Pani, Baishnab Pani, and Balakrushna Mohanty used to perform dance drama. On the other hand, at that time, Jatra was based on sex-based stories and slang language, which perhaps influenced Mohan to form Rasadal in Puri. He had a melodious voice. Besides, he had the expertise to play 27 musical instruments like Harmonium, pakhouz, tabla mrudhanga, nal, jodi nagra, sitar, flute, and others

During those days, leading scriptwriters like Jagamohan Lala, Ramsankar Ray, Aswini Kumar Ghosh, and Kampal Mishra used to write plays for the stage which was based on decent stories while Jagannath Pani, Baishnab Pani, and Balakrushna Mohanty used to perform dance drama. On the other hand, at that time, Jatra was based on sex-based stories and slang language, which perhaps influenced Mohan to form Rasadal in Puri. He had a melodious voice. Besides, he had the expertise to play 27 musical instruments like Harmonium, pakhouz, tabla mrudhanga, nal, jodi nagra, sitar, flute, and others

in National September 7, 2025 Comments Off on During those days, leading scriptwriters like Jagamohan Lala, Ramsankar Ray, Aswini Kumar Ghosh, and Kampal Mishra used to write plays for the stage which was based on decent stories while Jagannath Pani, Baishnab Pani, and Balakrushna Mohanty used to perform dance drama. On the other hand, at that time, Jatra was based on sex-based stories and slang language, which perhaps influenced Mohan to form Rasadal in Puri. He had a melodious voice. Besides, he had the expertise to play 27 musical instruments like Harmonium, pakhouz, tabla mrudhanga, nal, jodi nagra, sitar, flute, and others 604 Views

Lucknow :7/9/25:DRDO’s Defence Technology and Test Centre (DTTC), Lucknow, conducted a conclave at Amausi Campus on September 06, 2025, to apprise and collaborate with MSMEs & start-ups for Defence R&D and production to further develop the Uttar Pradesh Defence Industrial Corridor. More than 100 participants from various MSMEs, Start-Ups and Laghu Udhyog Bharti deliberated upon aspects of Skill Development, Funding for R&D, Technical Consultancy and Technology Development & Transfer by DRDO. 

In his inaugural address, the DRDO Chairman described DTTC as a brainchild of Raksha Mantri Shri Rajnath Singh, which is today bearing fruits for the benefit of the industries. He informed the MSMEs about the various technologies & industry-centric policies for the MSMEs and said that it is the opportune time for MSMEs to engage in Defence R&D. He assured that DRDO will provide all possible support to MSMEs to make the nation Aatmanirbhar Bharat, leading to Viksit Bharat by 2047. 

Raksha Mantri has complimented DRDO and the MSMEs for organising the conclave and appreciated the important role played by MSMEs to realise Prime Minister Shri Narendra Modi’s vision of Aatmanirbhar Bharat. 

The dignitaries who attended the event include DG (Naval Systems & Materials) Dr RV Hara Prasad; DG (Technology Management) Dr LC Mangal, and DG (Human Resources) Dr Mayank Dwivedi.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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