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Kendrapara: Brahma Taladhwaja Rath Stuck Again During Left Turn

Kendrapada:29/6/25:In a repeat of yesterday’s mishap, the iconic Brahma Taladhwaja chariot took an unanticipated left turn and stalled near Chandana Pokhari during the Ratha Yatra procession in Kendrapara.

The incident triggered fresh concerns among devotees and organisers alike.

Eyewitnesses say the chariot, revered as a divine symbol, was being pulled with fervour when it veered left unexpectedly and became lodged off course. Technical teams swiftly brought in a railway jack to realign the wheels and bring the massive wooden structure back on track.

Sources suggest that route adjustments and minor misalignments may be contributing factors behind the derailments seen in recent years.

Devotees expressed both disappointment and worry, as this marks yet another interruption in the sacred journey. Many called for better route planning and rigorous dry runs ahead of such high-profile religious events to preserve the sanctity and safety of the festival.

This isn’t the first instance of such a mishap during Kendrapara’s Rath Yatra. Last year, a similar issue disrupted the event, raising questions about the route infrastructure and planning for such massive wooden chariots.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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