Home » State News » NHRC, India takes suo motu cognizance of the reported merciless beating of a journalist while reporting the allegations of corruption at a construction site in Balangir

NHRC, India takes suo motu cognizance of the reported merciless beating of a journalist while reporting the allegations of corruption at a construction site in Balangir

Newdelhi:30/5/25:The National Human Rights Commission (NHRC), India has taken suo motu cognizance of a media report that a TV journalist was physically assaulted by a group of people in Kulthipali village in the Balangir district, Odisha on 25th May, 2025. Reportedly, he was suddenly attacked by the miscreants when he went to a construction site in the village, regarding which the people are making allegations of corruption. The victim’s legs and hands were tied, and he was paraded through the village before being tied to a pole and mercilessly beaten.

The Commission has observed that the contents of the news report, if true, raise a serious issue of violation of the human rights of the victim journalist. Therefore, it has issued a notice to the Director General of Police, Odisha, calling for a detailed report in the matter within two weeks.

According to the media report, carried on 26th May, 2025, the victim’s mobile phones and video camera were also smashed by the perpetrators, and he was threatened not to report anything about the incident or the ongoing construction work to anyone

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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