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Feature films* to provide at least one accessibility feature each for the hearing impaired and visually impaired

Newdelhi:16/9/24:The “Accessibility Standards” module in E-Cinepramaan has been successfully deployed as per the scheduled timeline i.e. 15th September 2024. The applicants may now apply/submit their films with the required accessibility features for the hearing and visually impaired, as specified in the guidelines. The Ministry of Information and Broadcasting had set 15th September 2024, as the effective date for implementation of these guidelines.

New guidelines & enhanced accessibility standards

The Ministry of Information and Broadcasting has taken a significant step towards making cinema viewing more inclusive and accessible for persons with disabilities. Through an Office Memorandum dated March 15, 2024, the Ministry had issued new guidelines aimed at enhancing accessibility standards for the public exhibition of feature films in cinema theatres for persons with hearing and visual impairment.

These guidelines apply to those feature films certified by the Central Board of Film Certification (CBFC) for public exhibition in cinema halls/movie theaters for commercial purposes. All feature films* that are to be certified in more than one language would be required to provide at least one accessibility feature each for the hearing impaired and visually impaired, i.e. Closed Captioning/Open Captioning and Audio Description.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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