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Sangeet Natak Akademi to organize ‘Shakti – Festival of Music and Dance’ at seven different Shaktipeeths

Newdelhi:9/4/24:To rejuvenate the Temple Traditions in the country Sangeet Natak Akademi, under the series of Kala Pravah, is organizing the festival under the title ‘Shakti a festival of music and dance’ during the holy Navaratri, which starts today i.e., 9th April 2024. Since Navaratri symbolizes the power of nine goddesses, the Akademi will organize the festival celebrating temple traditions under the title Shakti at seven different Shaktipeeths from 9th to 17th April 2024, in different parts of the country.

The inauguration of the Shakti festival will begin today from the Kamakhya Temple, Guwahati and this will be continued at Mahalakshmi Temple, Kolhapur, Maharashtra, Jwalamukhi Temple, Kangada, Himachal Pradesh, Tripura Sundari, Udaipur, Tripura, Ambaji Temple, Banaskantha, Gujarat, Jai Durga Shaktipeeth, Deoghar, Jharkhand and it will be concluded on 17th April 2024 at Shaktipeeth Maa Harsidhi Temple, Jaisinghpur, Ujjain, Madhya Pradesh. Sangeet Natak Akademi, the National Academy of Performing Arts and an autonomous body of the Ministry of Culture, Government of India, has been working towards the preservation, research, promotion, and rejuvenation of performing art forms of the country expressed in the form of music, dance, drama, folk and tribal art forms and other allied art forms of the country.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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