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Live streaming of court proceedings was highlighted during the pandemic

Newdelhi:21/7/23:The need for live streaming of court proceedings was highlighted during the pandemic, as courts functioned on virtual platforms and citizens had no direct access to it. In Swapnil Tripathi v. Union of India, the Supreme Court has advocated telecasting the court proceedings live in a move towards greater transparency of and in the courtroom. The chairperson of e Committee, Supreme Court of India had constituted a sub-committee to frame the Model rules of Live streaming. These rules have been framed and circulated by e Committee, Supreme Court of India to all High Courts for better implementation of live streaming of court proceedings and are available on the website of e Committee, Supreme Court of India.

The rules & procedure for live streaming of court proceedings in individual High Courts is an administrative matter of the concerned High Court that falls within the purview of the said High Courts and the Central Government has no direct role to play in the matter. As on 17.07.2023, Live Streaming of court proceedings has been started in High Courts of Gujarat, Guwahati, Orissa, Karnataka, Jharkhand, Patna and Madhya Pradesh thus allowing media and other interested persons to join the proceedings.

This information was given by the Union Minister of Law and Justice, Shri Arjun Ram Meghwal, in a written reply in Rajya Sabha.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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