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Odisha welcomes the vibrant Raja Festival, a three-day celebration honouring womanhood

Bhubanewwar:14/6/25:Odisha welcomes the vibrant Raja Festival, a three-day celebration honouring womanhood, fertility, and the rhythms of Mother Earth. Falling between June 14 and 16, the festival reflects deep-rooted traditions and cultural pride.

Rooted in the Sanskrit word ‘Rajaswala’—meaning menstruation—Raja marks a symbolic period when Mother Earth is believed to rest and rejuvenate, much like women during their menstrual cycle. It’s also the start of the agrarian season, coinciding with the onset of the monsoon month Asadha.

Young girls and women rejoice by dressing in new clothes, applying henna and alta, playing traditional games, enjoying swings (Raja Doli), and eating festive foods. Special sweets like Poda Pitha, Arisha, Kakara, and Chakuli fill homes, while Raja Pana (sweet betel leaf) remains a cherished treat.

The festival unfolds in four phases:

  • Pahili Raja (June 14) – the eve of the monsoon.

  • Raja Sankranti (June 15) – the first day of Asadha, celebrating seasonal transition.

  • Basi Raja (June 16) – continuing fun and rituals.

  • Basumata Snana – an additional day dedicated to bathing rituals honoring Mother Earth.

During this time, girls are exempt from household work, and no farming or digging is done, showing reverence for nature’s fertility.

As Odisha bathes in colors, swings, and celebration, Raja stands as a beautiful ode to feminine power, Earth’s cycles, and the rich Odia heritage.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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