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Bahrain 2022 Para-Badminton: Pramod Bhagat From Odisha Wins Two Gold

Manama:22/5/22: Top para shuttlers Pramod Bhagat from Odisha and Tarun Dhillon clinched two gold medals each as the Indian team ended with a rich haul of 23 medals including seven gold medals at the 1st Bahrain Para-Badminton International Championships 2022.

Promising doubles shuttler Manisha Ramdass also shot into the limelight with her twin gold medal show, while Nithya Sre Sumathy Sivan (WS SH6) and Dhinagaran Pandurangan and Sivarajan Solaimalai (Doubles SH6) claimed the other top honours for India.

Pairing up with a new partner, Bhagat turned the colour of his mixed doubles SL3-SU5 silver medal from Brazil into gold this time. He and promising Manisha Ramdass got the better of Thailand’s Siripong Teamarrom and Nipada Saensupa 21-14, 21-11 to take the gold.

The Tokyo 2020 Paralympic champion Bhagat then went on to take the men’s singles SL3 gold after England’s Daniel Bethell gave a walkover.

In the men’s SL4 events, Dhillon, who missed out on a medal at the Tokyo 2020 Paralympics, first paired with Nitesh Kumar to pull off a convincing 21-13, 21-7 win over Thailand’s Mongkhon Bunsun and Siripong Teamarrom in men’s doubles SL3-Sl4 summit clash.

High in confidence, Dhillon took just 20 minutes to thump South Korea’s Shin Kyung Hwan 21-9, 21-9 for the men’s singles SL4 gold.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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