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Ashwini Vaishnaw inspects production of Vande Bharat Trains

Chennai.:20/5/22: Shri Ashwini Vaishnaw, Union Minister of Railways, Communications, Electronics and Information Technology, Government of India inspected the production of the indigenous Vande Bharat trains at Integral Coach Factory, Chennai. During his visit, the Minister interacted with the employees and motivated them for their work.

The Minister tweeted:

“Vande Bharat manufacturing on fast track at ICF Chennai.”

As an excellent example of the ‘Make in India’ success story, the Indian Railways launched India’s first indigenous Semi High-Speed train, Vande Bharat Express, The first Vande Bharat Express train was flagged off on 15 February 2019 on the New Delhi Kanpur-Allahabad-Varanasi route.” Speed, Safety and Service are the hallmarks of this train. Integral Coach Factory (ICF). Chennai, a Railways Production unit, has been the force behind a completely in-house design and manufacture, computer modeling and working with a large number of suppliers for system integration in just 18 months.

During his visit to Chennai, Shri Ashwini Vaishnaw flagged off 12000th LHB coach of ICF, Chennai. LHB coaches are anti-telescopic, safer, lighter, more comfortable and jerk-free. Replacement of ICF conventional coaches phase-wise with LHB coaches is being done from safety point of view.

Shri Ashwini Vaishnaw also visited the Egmore Railway Station in Chennai during the night hours of 19th May 2022. He inspected the facilities at the station and reviewed the Master plan of the Chennai Egmore Station redevelopment project. The Minister discussed in detail the proposed redevelopment plans for Chennai Egmore and the facilitation of inter-modal connectivity with CMRL. While interacting with media persons, the Minister stated. “Prime Minister has the vision of transforming Indian Railways as he believes that transformation of Indian Railway will pave way transformation of Indian Economy Redevelopment of various categories of stations are part of that vision. He further elaborated about Chennai Egmore redevelopment, “Chennai Egmore will be redeveloped duly maintaining the heritage and simultaneously revamping its amenities at par with world-class standards. On redevelopment, the station will become the hub of economic activity.”

Post Station redevelopment, Chennai Egmore, the second-largest terminal of Southern Railway, will house world-class amenities and airport-like features such as separate arrival and departure corridors, bright illumination and hassle-free access to platforms by escalators, lifts and skywalks.

During his visit, Railway Minister Shri Vaishnaw applauded the efforts of “Avishkar Hyperloop”, a passionate student-led team at IIT Madras, committed to changing the future of mobility in India by developing scalable Hyperloop technologies. Hyperloop is a new innovative mode of transport that disrupts the paradigm of conventional transport where speed and comfort are carbon-heavy. It is a transportation solution for a sustainable, fast and connected future with a minimal carbon footprint. The concept is based on levitating pods traveling at near sonic speeds in vacuum tubes built between cities. A maglev in vacuum tube.

Indian Railways has joined hands with IIT Madras to indigenously develop Hyperloop technology-based transportation system which runs faster than bullet trains, and has considerably low operating costs. Indian Railways will extend financial support of Rs. 8.34 cr to IIT Madras for this project.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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