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Slain photojournalist Danish Siddiqui honoured with Pulitzer Prize

Newdelhi:10/5/22:Slain photojournalist Danish Siddiqui is among four Indians honoured with the prestigious Pulitzer Prize 2022 in the feature photography category.

Siddiqui and his colleagues Adnan Abidi, Sanna Irshad Mattoo and Amit Dave from the Reuters news agency won the award, announced on Monday, for “images of Covid’s toll in India that balanced intimacy and devastation, while offering viewers a heightened sense of place”, according to The Pulitzer Prizes website.

Their work was moved from the breaking news photography category by the judges. : Siddiqui, 38, was on assignment in Afghanistan last year when he died. The award-winning journalist was killed in July last while covering clashes between Afghan troops and the Taliban in Spin Boldak district of Kandahar city

This is for the second time that Siddiqui has won the Pulitzer Prize. He was honoured with the prestigious award in 2018 as part of the Reuters team for their coverage of the Rohingya crisis. He had extensively covered the Afghanistan conflict, the Hong Kong protests and other major events in Asia, Middle East, and Europe.

Siddiqui graduated with a degree in Economics from Jamia Millia Islamia, Delhi. He had a degree in Mass Communication from the AJK Mass Communication Research Centre at Jamia in 2007.

He started his career as a television news correspondent, switched to photojournalism, and joined Reuters as an intern in 2010.

Marcus Yam of the Los Angeles Times bagged the award in the Breaking News photography category “for raw and urgent images of the US departure from Afghanistan that capture the human cost of the historic change in the country”.

Yam’s work was moved from Feature Photography by the jury.

Win McNamee, Drew Angerer, Spencer Platt, Samuel Corum and Jon Cherry of Getty Images also won the award in the Breaking News photography category for their “comprehensive and consistently riveting photos of the attack on the US Capitol”.

The Washington Post bagged the Pulitzer Prize in public service journalism for its coverage of the January 6 insurrection at the US Capitol.

According to the award committee, the newspaper “compellingly told and vividly presented account of the assault on Washington on January 6, 2021, providing the public with a thorough and unflinching understanding of one of the nation’s darkest days”.

The Pulitzer Board awarded a special citation to the journalists of Ukraine for their “courage, endurance, and commitment to truthful reporting during (President) Vladimir Putin’s ruthless invasion of their country and his propaganda war in Russia”.

“Despite bombardment, abductions, occupation, and even deaths in their ranks, they have persisted in their effort to provide an accurate picture of a terrible reality, doing honour to Ukraine and to journalists around the world,” the committee said.

The Pulitzer Prizes were established by Joseph Pulitzer, a Hungarian-American journalist and newspaper publisher, who left money to Columbia University upon his death in 1911. A portion of his bequest was used to found the School of Journalism in 1912 and establish the Pulitzer Prizes, which were first awarded in 1917.

The 19-member Pulitzer Board is composed of leading journalists and news executives from media outlets across the US, as well as five academics or persons in the arts. The dean of Columbia’s journalism school and the administrator of the prizes are non-voting members. The chair rotates annually to the most senior member or members.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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