Home » Entertainment » The artistic imagination of the contemporary India is visible in most of the films: Nila Madhab Panda, Jury Member

The artistic imagination of the contemporary India is visible in most of the films: Nila Madhab Panda, Jury Member

Panaji:28/11/21:The International Competition Jury for 52nd International Film Festival of India led by Jury Chairperson, Iranian film maker Rakhshān Banietemad and other members including film producer and filmmakers Ciro Guerra, Vimukthi Jayasundara and Nila Madhab Panda interacted with the media at IFFI 52 in Goa today.

Speaking on her experience of judging the films, the Jury Chairperson and Iranian filmmaker, Rakhshān Banietemad said that she enjoyed judging varieties of films from different countries and it was an amazing experience. “I never find any difference based on gender as far as film making, viewing, and judging is concerned. I focus more on the expertise and skill rather than gender and this is what all the women filmmakers should do, she said in response to query on importance of the gender factor and perspective in film making and judging”, she said.

“We celebrated the art and power of cinema irrespective of nationality and ideology. Whether the film has the power to move or touch the audience or not, whether it is surprising and opening new dimension or concept, whether it expresses the story by effectively using the tools of the medium and the artistic merits irrespective of subjects are some of the main criteria that we looked at while judging the films for the competition, said Colombian Film Director Ciro Guerra, one of the Jury Member for International Competition.

Commenting on the Indian Cinema, Ciro said that the vitality, diversity, and imagination of Indian Cinema are really surprising. “It’s indeed a prestigious festival and I am honoured to be a part of the Jury”, he said.

We discussed the film among the jury members before coming to a conclusion. “When my film Embrace of the Serpent won the Golden Peacock award in 2015, unfortunately, I couldn’t be able to attend the ceremony.

Talking about the neutrality of the jury, she said that when you are a jury member you have to put your nationality and ideology aside and judge the film based on artistic merit.

Answering a query about the impact of the pandemic on the film as noticed by the jury, noted SriLankan Director, Vimukthi Jayasundara said that the impact of the pandemic must have been there on the back of the camera, there must be challenges, but it was never reflected in the output. The films chosen for IFFI represented diversity and excellence.

“There are a lot of stories that India needs to tell the world. I have come across new and interesting stories and subjects this time though I have watched many Indian films in the past”, said Jayasundara while talking on Indian films.

“IFFI is a platform for freedom of expression. The kind of films that they have chosen shows that inclusiveness and variety” said National Award-winning filmmaker and jury member Nila Madhab Panda.

He further said that the artistic imagination of contemporary India is visible in most of our films today. “It’s a pleasure that our regional cinema is growing big and tall. Many powerful films are coming out from the regions”, he added.

Speaking on the impact of pandemics on the cinema, Panda said that the jury members didn’t find any kind of artistic compromise in any of the film. “A Director sometimes lives a story for years and the making also takes a long time, so it might not belong to only during the pandemic period”, he added.

Highlighting their experience of judging the films, the members in unison said that they celebrated the joy of cinema during the last days. “It was an incredible and memorable experience to watch such diverse and wonderful films at this prestigious festival”, they added.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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