Home » Environment » IFFI52 Indian Panorama Film ‘Jugalbandi’ transcends the fusion of Indian Classical Music and Painting

IFFI52 Indian Panorama Film ‘Jugalbandi’ transcends the fusion of Indian Classical Music and Painting

Goa:27/11/21:Jugalbandi transcends the fusion of Indian Classical music and painting, said Chetan Bhakuni, Director of the film, while addressing at the ‘Meet the Director’ session organised by PIB at 52nd International Film Festival of India, in Goa today.

He said that in Indian classical music, julgalbandi roughly translates to a duet. “Being a Painter, I could feel the similarity between these two art forms of singing and painting. There exist an eternal bonding and semblance between a Khayal (a Hindustani Classical music form) and a corresponding painting. I have tried to present that through my short film”, he added.

The film was screened at IFFI under Indian Panorama Non-Feature Film section.

Jugalbandi

(Indian Panorama Non-Feature films)

Director & Producer: Chetan Bhakuni is a painter who emphasizes the maternal relationship in his drawings, paintings, and video animation. He has a Masters degree in Studio Art from Burren College of Art.

Cast & Crew

Director, Producer, Screenplay: Chetan Bhakuni

DOP: Chetan Bhakuni

Editor: Chetan Bhakuni

Cast: Chetan Bhakuni

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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