Home » Entertainment » Ved-The Visionary, the Opening Film (Non-feature – Indian Panorama) tells the tale of a filmmaker’s struggle and resilience

Ved-The Visionary, the Opening Film (Non-feature – Indian Panorama) tells the tale of a filmmaker’s struggle and resilience

Goa:22/11/21:With a promise to unfold stories collected from nook and corners of India on the big screen, the Indian Panorama Section opened today at the 52nd International Film Festival of India held in Goa.

Shri Anurag Singh Thakur, Union Minister of Ministry of Information & Broadcasting inaugurated the opening ceremony of 52nd IFFI. Shri Rajendra Vishwanath Arlekar, Governor of Himachal Pradesh were also present on the occasion.

The inaugural ceremony introduced the audiences to IFFI’s official selection of 24 Feature & 20 Non-Feature films under the Indian Panorama 2021 category for this year.

Shri Rajendra Vishwanath Arlekar, Governor of Himachal Pradesh along with the Union Minister felicitated the filmmakers and the cast & crew of the opening films, Semkhor (Feature) and Ved- The Visionary (Non-feature), and presented to them Certificates of participation.

Congratulating the filmmakers, the Union Minister, said, “You all have attempted and struggled to bring stories from the remote corners of the country. Now, content is king and if you create the right content, it will go not only National but to the International level. We have the talent among us and with all your help, we will take IFFI to new heights”. He also remembered Late Manohar Parrikar, who was instrumental in bringing IFFI to Goa’s shores.

He also said that “Earlier we saw that only actors, directors, and producers were being awarded in Film festivals but now we are also honoring the technicians, the background people whose work make to a film complete.” He also urged international filmmakers to come and shoot in India.

Addressing the gathering, Shri Rajendra Vishwanath Arlekar, Governor of Himachal Pradesh, said, “I am not a Film Critic or an ardent follower of Films, but I have always watched the Indian Panorama, how our films reflect our society. I say this with pride that the Indian films have beautifully reflected and showed the aspirations, needs, and struggles of our society.”

The opening film in the Feature film category, Semkhor, which was screened in the Indian Panorama Section is the first-ever Dimasa language film to be screened in the Indian Panorama Section. Aimee Baruah, Director of the film, thanked IFFI for the honor & recognition of the film. She added that the film Semkhor deals with social taboos and through the film, she tried to bring forth the struggles faced by the Dimasa Community in Assam.

Rajiv Prakash, Director of the opening film in the Non-feature film category, Ved- The Visionary, remarked that “It is the story of my father’s resilience, fortitude in the field of film-making. The movie shows his endeavors which shall remain embedded in the history of cinema.”

The Jury members of the feature and non-feature films were also honored with Certificates of participation on the occasion.

The Indian panorama is a flagship component of the IFFI under which the best contemporary Indian films are selected for the promotion of film art. It was introduced in 1978 as part of the IFFI umbrella to promote Indian Films and India’s rich culture and cinematic art.

About the opening films in Indian Panorama:


Diro belongs to the Samsa community in Semkhor. When Diro dies, his wife, who worked as an assistant midwife, takes care of their three children. She gets her only daughter Muri, aged just eleven, married to Dinar. Unfortunately, Muri dies after giving birth to a girl child. As per the custom of Semkhor, if a woman dies during childbirth, the infant is buried alive along with the mother. But Diro’s wife protects Muri’s infant, indicating new dawn in Semkhor.

Ved…The Visionary

The film tells the story of filmmaker Ved Parkash and his journey of conquering the world of newsreel filming during 1939-1975. His extraordinary works included the news coverage of Mahatma Gandhi’s funeral in January 1948, which was nominated for the British Academy Awards in 1949; the change of power when India became independent; the tragedy that followed India’s partition, etc. A large part of the visuals of India and its tumultuous formative years is a gift of his hard work and aesthetics.


About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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