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Rashtriya Ispat Nigam bags ‘RAJBHASHA KEERTHI PURASKAR’

New Delhi.:15/9/21: Rashtriya Ispat Nigam Ltd.(RINL) – Vishakhapatnam Steel plant (VSP), under Ministry of Steel is bestowed with ‘Rajbhasha Keerti Puraskar’-FIRST PRIZE for effective implementation of Official Language Hindi for the year 2020-21. Shri DK Mohanty, D(C) & D (P) Addl. Charge, RINL, received the award from Minister of State for Home Affairs, Shri Nityanand Rai on the occasion of National Hindi Day Celebrations in New Delhi.

TOLIC (Town Official Language Implementation Committee)- Undertaking, Visakhapatnam under the aegis of RINL also bagged ‘Rajbhasha Keerthi Puraskar’ – First Prize for the year 2020-21.

The award was received by Shri DK Mohanty, Chairman, TOLIC (PSU) and D(C) & D(P) Addl Charge, RINL from Minister of State for Home Affairs, Shri Nishit Pramanik. Hindi Diwas Samaroh was presided over by the Union Minister of Home Affairs and Co-operation Minister Shri Amit Shah.

RINL-VSP has also received ‘Rajbhasha Keerthi Puraskar – First Prize’ for effective implementation of Hindi for the year 2019-20. Shri G Gandhi, Chief General Manager (HR) & Admn., RINL received the award.

‘Sugandh’, the In-house Magazine of RINL-VSP bagged ‘Rajbhasha Keerthi Puraskar – First Prize’ for the year 2018-19. Shri Lalan Kumar, GM (Rajbhasha) & Admn. Incharge, RINL and Member Secretary, TOLIC (PSU), Visakhapatnam was recipient of this award. He also received a Certificate of Recognition.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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