Home » National » Union Culture Minister G. Kishan Reddy has reviewed various initiatives of National Gallery of Modern Art
The Union Minister for Culture, Tourism and Development of North Eastern Region (DoNER), Shri G. Kishan Reddy along with the Minister of State for Parliamentary Affairs and Culture, Shri Arjun Ram Meghwal and the Minister of State for External Affairs and Culture, Smt. Meenakashi Lekhi visiting the National Gallery of Modern Art, in New Delhi on July 21, 2021.

Union Culture Minister G. Kishan Reddy has reviewed various initiatives of National Gallery of Modern Art

New Delhi: 21/7/21: Union Culture Minister G. Kishan Reddy has reviewed various initiatives of National Gallery of Modern Art, NGMA including virtual museum and audio-visual app in New Delhi. Mr. Reddy along with Ministers of State for Culture Arjun Ram Meghwal and Meenakshi Lekhi today visited the NGMA in New Delhi. National Gallery of Modern Art which houses modernized and contemporary Indian art is one of the largest museums of modern art in the world.

Speaking to the media, Mr. Reddy said that the National Gallery of Modern Art is being renovated in the context of Azadi ka Amrit Mahotsav. He explained that after the completion of the renovation and re-organisation works, the new look of the NGMA will be presented before the people. The Minister said, a large number of paintings and artworks are being collected from different parts of the country to be displayed at the Gallery. He said, this collection will remain available for the future generations of the country.

 

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Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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