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Rajkumar Hirani’s ‘PK’ now in NFAI Collection

Newdelhi:6/7/21:National Film Archive of India (NFAI) has announced a significant addition of the original camera negative of Rajkumar Hirani’s film PK (2014) in its collection. Hirani is one of the major contemporary Indian filmmakers who has carved a niche for himself through his distinct filmography over the years. Rajkumar Hirani today handed over the original camera negative of his 2014 film PK to Director NFAI, Prakash Magdum, in Mumbai.

“It was important to preserve the negative and I am very happy that it would be preserved in NFAI at Pune. It is the duty of a filmmaker to ensure that the films are preserved and I appeal to all filmmakers to support NFAI in this important cause,” said Rajkumar Hirani on the occasion.

Director NFAI, Prakash Magdum, said, “We are happy to continue our association with Mr Hirani as his earlier acclaimed films are also being preserved at NFAI. It is wonderful to add PK in our collection, especially because it was shot on celluloid.” The transition from celluloid to digital in terms of production of films in India happened during 2013-14. Therefore, it is all the more important to have this film for preservation, Magdum added.

Apart from the original camera negative, about 300 cans consisting of rushes of PK and outtakes of 3 Idiots film were also handed over for preservation. A huge paper material consisting of posters, lobby cards and photographs of films directed by Hirani would also be handed over to NFAI.

Hirani, an alumni of FTII, is known for his light-hearted take on tackling social issues through his films and provide a new perspective on contemporary issues. The original Negatives of Rajkumar Hirani‘s earlier films like Munnabhai MBBS (2003), Lage Raho Munnabhai (2006) and 3 Idiots (2009) are already being preserved at NFAI.

Written, edited and directed by Rajkumar Hirani, PK is a wonderful political satire on Indian society. Co-produced by Hirani along with Vidhu Vinod Chopra, PK, also happens to be one of the last few films to be shot on celluloid in India. Commenting on superstition, PK, with the quirky titular character of an alien, tries to make sense of the world around, in an eccentric but endearing way.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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