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Zee sarthak Monalisa lost her laugh at the last moment

Bhubaneswar:24/4/21: BY   ( Ashok Palit) Monalisa Odia Movie is based on a girl. The girl which acted by Elina Samantray. As per the trailer seems The girl is a happy personality and she is working in a cafe. One day she was locked in that cafe room after shift over. The next is all about the story. Ollywood actor Dharmashish Behera will play the male lead. The rest of the star cast includes Choudhury Jay Prakash Das, Babi Mishra, Lupun, Rajib Mohapatra and Pintu Nanda, etc. Ashok Pati is the director and Ajay Rout is the producer of the movie. The music director is Goodly Rath. Lyrics of the songs have been penned by Surya Mohapatra. Lipsa Mahapatra and Humane Sagar have rendered their voice. Rabindra Behera is the cinematographer, while Ranjan Khatei has done the editing of the movie. This women-centric movie seems a different odia story, but Monalisa lost her laugh at the last moment while caught in  copy from Malayalam film Helen

While Odia films produced for television and OTT platforms are generally based on an original story. Odia film MONALISA  scheduled to be aired on Zee sarthak television on 25th, April at 6 PM. but before the released on most of the social media, it trolled for a copy from Malayalam film Helen directed by Mathukutty Xavier which tells the tale of a girl’s survival that spans five hours of a night. As per sources, it may not be aired on 25 th April 2021 at 6 PM.To know about the truth we must focus on the Malayalam film  Helen.

Malayalam film revolves around  Helen,   She is a B.Sc Nursing graduate and attends IELTS coaching classes intended for a job abroad. She works part-time at a restaurant named The Chicken Hub, inside a plush mall. She lives with her father, Paul, an insurance agent. He does not like her going abroad. Paul is a conservative Christian and has a disagreement with Helen associating with non-Christian friends. Unbeknownst to Paul, Helen has a Muslim boyfriend, Azhar, who is in search of a job.

The next night after work at the Chicken Hub, Helen’s manager Jayashankar unknowingly locks her in the freezer room. At -18 °C, Helen has to survive in the freezing cold and tries everything to keep herself alive. She tries to block the exhaust fan but ended up dislocating her leg. She starts to get frostbite and bleeding through her nose.

Her father starts getting worried that Helen has not reached home. He searches for Helen with the help of his neighbor. They call all her co-workers but they all said they do not know anything. Azhar, who was on his way to Chennai half-heartedly, returns and also joins the investigation.

They rush to the Chicken Hub and opens the freezer. In the end, after 5 hours, they find Helen. She is taken to the hospital just before she had the last stage of hypothermia. Then Paul enquires with the watchman that how was he sure about the fact that Helen didn’t leave the mall. Helen smiles at him every time she comes in and out of the mall. He did not see her go out on the day of her missing.

A smile can create wonders and sometimes even save a life. As Monalisa(Elina)  responds to her dad with a smile after regaining consciousness, but before the audience too finds themselves beaming released of this film being postponed.


About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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