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Odia Film Music director Er.jalal Adeni passed away

Cuttack:29/3/21:Odia Film and Music director Er.jalal Adeni passed away at the age of 85 in his Cuttack residence. Adeni was born on 1936, June 23 at BhanjaNagar in Ganjam district, Jalal Adeni passed  I sc fromKhalikote college and complete his Engineering from Jadavpur University, Kolkata. In 1977  through Odia’s film Anutap he earns name and fame as a Music director. Most of the Odia film Anutap song still murmurings in the ear of Odia music lover still now. It is Needa vara rati sung by Nirmala Misha to Nupur Kahanki ..sung by Tansen Singh.

Er.jalal Adeni had joined in Indian Railway service after Engineering but after four years he leaves his job and going to Mumbai in 1965 with a view to joining in Hindi film industry but after struggle for one year back to Berhampur in1966, In1968 Er.jalal Adeni had planned to produced titled KIEA BUJIHIB but due to some unavoidable reasons this film could not be released. In 1980 Er.jalal Adeni had composed the music of Odia film HIRA MOTI MANIK along with the direction. His next film was PUJA RANI though the song of this film became so popular but this film is not able to go for the audience. In 1982 Hindi film JAMANA KIYA KAHEGA featuring  Rameswari, Arun Govil.Nirupa Ray, Madan Puri, and Sriram Lagoo hit the theatre which was directed by Jalal Adeni   along with music composition,But this film could not able to attract the audience.Besides this in1992 and 1994, two Hindi film HAMANE PYAR KIYA and PREM UPAHAR  had hit the theatre,

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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