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Legendary Odissi dancer Laxmipriya Mohapatra has passed away

Bhubaneswar:21/3/21: Legendary Odissi dancer and the wife of eminent Odissi dance teacher late Kelucharan Mohapatra, ‘Laxmipriya Mohapatra’, has passed away around 11:10 PM on Saturday. She was 86 years old. She was suering from old age aliments. Upon learning of the demise of the legendary dancer, many dignitaries arrived at her residence in Bhimtangi to pay their last respects. Her son Ratikanta Mohapatra and daughter-in-law Sujata Mohapatra who are also renewed Odissi dancers were also present there.

She performed Gotipua dance as her rst performance at the Arnapurna Theater in Puri in 1947. She was the rst Odissi dancer to perform on the stage in Odisha. She got married to Kelucharan Mohapatra in the 1947. The duo laid the foundations for Odissi dance on the pages of history by performing Dashabatara in dance. Her last rites will be performed at Puri Swargadwar

It was a marriage made in heaven, a marriage, between two artistes, which was rare & remarkable for its trust affection and mutual dependence. And in behaviour, as well as in conversation, Guru Kelucharan Mohapatra made it transparent that it was Laxmipriya who had, from early days, worked wonders in the relationship, and provided a strong & abiding foundation for the marriage. Herself a dancer & stage artiste of acknowledged stature, Laxmipriya was the inspiring presence in Kelucharan’s life

Their togetherness stemmed from the 1946 when she danced at Annapurna “B” theatre to his fluent & pleasing support on the Mardala & other drums. Invariably, whenever Laxmipriya performed on stage, Kelucharan accompanied her on percussion. Laxmipriya benefited from Guruji’s ideas on dance, choreography and stagecraft, and she saw to it that, in his grim struggle to eke out a bare existence, every affordable comfort was made available to him. In  the early part of her life, Laxmipriya absorbed from her rural surroundings, an interest in the expressional Arts- dance, music, theatre.

Hailing from Khurda, Laxmipriya & mother opted to stay in Puri where the young Laxmipriya was introduced as a dancer in Annapurna “A” group by Bauribandhu Mahanty. She travelled with the theatre group, to remote village, towns and every tribal district of Orissa, her reminiscences about these tours abound in lively anecdotes about people, tribal dance and costumes, rural methods of conveying ideas, phraseology and many other points of interest. Her powers of observation were sharp, and here sense of humour abundant. Her teachers in acting and dance were, in those days, the venerable Ram Mania, Kashinath Sahu, Lakshmidhar Patra & Lingraj Nanda, who were all hard taskmasters. She blossomed into a fine stage artiste and from the time she made her debut as “Mohini”, Laxmipriya mesmerised theatre lovers with her virtuosity and emotive portrayal in a number of dance dramas many of which ran for a 100 days

Her stellar roles made her a most popular stage artiste in the plays “Manager”, “Aloka”, “Bharasa”, “Ta poi”, “Mulia”, “Kalapahada”, “Jahara”. and the “Dasavatara” sub play in “Sadhaba jhia” where she performed in tandem with Kelucharan Mohapatra.

Laxmipriya is credited as being the first even dancer to perform Odissi on stage! Another feather in this remarkable lady’s cap is that she acted in important roles in landmark films such as Surya Mukhi, Manika Jodi, Amada Bata and Mala Janha and her histrionic ability has been received with great enthusiasm by the Oriya audience of that era.

Laxmipriya’s value to the then cultural ethos of Oriya Society is huge in terms of her courageous contribution. Her decision to continue as a dancer and stage artiste gave the fillip & courage to many middle class Oriya girls to dedicate themselves to Odissi dance. In this, she certainly took a brave & pioneering decision that encouraged a bevy of dancers to follow suit.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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