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Security arrangements have been tightened around the State Assembly for the budget session

Bhubaneswar:17/2/21: Security arrangements have been tightened around the State Assembly for the budget session which begins tomorrow.

“Security arrangements compared to the last session have been extended further. Last time Covid restrictions were stricter and ingress was less. Now restrictions have been relaxed therefore we expect an increase in the number of outside people,” said DGP Abhay talking to newsmen here today.

Informing that there are two types of security arrangement for the State Assembly-one is by plainclothesmen and the other is by the uniformed men, Abhay said that while the former is done by the Director Intelligence, the latter is done by the CP and DCP.

“Security arrangements have been reviewed by Director Intelligence, CP, and DCP. I am satisfied both have put their best foot forward,” the DGP said.

Police Commissioner Sudhansu Sarangi said that three-tier security arrangements have been put in place for the State Assembly session.

Sarangi said that plainclothesmen of the Intelligence wing will be in charge of the security inside the Assembly premises and outside will be guarded by armed policemen.

This apart, personnel have been posted for dealing with terrorists and other problems, he added.

He informed that requisite security arrangements have been made at the Lower PMG Square to handle protestors who stage dharna during the Assembly session.

He said that police teams will be deployed to prevent any self-immolation attempt.

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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