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Legendary Music Director Shantanu Mohapatra Critical

Bhubaneswar:28/12/20; Odisha’s legendary music maestro Shantanu Mohapatra has been admitted to a Bhubaneswar-based private hospital in critical condition today.

Sources said 84-year-old Mohapatra has been undergoing treatment at Care Hospital. He is suffering from acute pneumonia and his kidneys are not functioning.

Mohapatra is a legendary and multi-talented artist of Odisha and has been associated with Odia music industry for almost 60 years.

He composed first Modern Odia ballad “Konark Gatha” with lyrics by Lyricist Gurukrushna Goswami and sung by Akshay Mohanty. He also wrote ‘Kalijae’ which was sung by Sikandar Alam.

Mohapatra has many firsts to his credits in the field of Odia music as a music composer. He is the first modern lullaby in AIR (‘Soi pada re dhana’ sung by Santilata Rout), first qawali (ae ranga rahiba Nahi from Surjyamukhi), first bhangra tune, first fusion and jumping note (Ago Chandrika by Raghunath Panigrahi) to name a few.

He is the first from Odisha to get the Hindi film greats like Lata Mangeskar (Surjyamukhi), Mohd Rafi (Arundhati), Manna Dey (Surjyamukhi), Usha Mangeskar (Arundhati) and experimented with other artists like Suresh Wadekar, Anuradha Paudwal, Usha Uthup, Kavita Krishnamurthy and others with his Mumbai style orchestra music and choral songs.

Mohapatra was born in November 1936 in Baripada of Mayurbhanj district. By profession, Mohapatra is a geophysicist (an IIT-Kharagpur pass-out) and had worked with Odisha Mining Corporation (OMC).

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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