Home » District Diary » Puri administration imposed Section 144 around the Sakhigopal temple ahead of ‘Radha Pada Darshan’
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Puri administration imposed Section 144 around the Sakhigopal temple ahead of ‘Radha Pada Darshan’

Sakhigopal:22/11/20: The district administration today imposed Section 144 of the CrPC around the Sakhigopal temple ahead of Anla Navami. The restrictions will be in place till November 25, informed Puri Sub-Collector Pradip Kumar Sahoo.

The restrictions have been imposed from Chandanpokhari to Sidhhabakula, i.e. in a radius of 200-metre, for a period of four days starting today. The decision was taken to restrict the congregation in the view of ongoing COVID-19 pandemic.

“All rituals will be undertaken by the servitors as per temple regulations sans devotees,” said Puri Sub-Collector.

The world-famous attract footfall in lakhs during the ‘Radha Pada Darshan’. It is believed to lead to moksha or salvation. Radharani’s lotus feet are kept covered throughout the year, but on Anla Navami, one can get a sacred darshan as she wears her clothes in typical Odiyani fashion with a Kachha on. This Kachha is called Kania Kachha. The ritual is conducted on Anla Navami ahead of 5-day Panchuka on holy month Kartik.

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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