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Relined Blast Furnace-4 ‘Annapurna’ of RSP commences its 7th campaign

Rourkela: 9/9/20:The relined Blast Furnace-4 (BF-4), ‘Annapurna’, of SAIL, Rourkela Steel Plant was blown in for its 7th campaign by Mr. Dipak Chattaraj, CEO, RSP on 9th September, 2020. Mr. P K Dash, ED (Works), Mr. Raj Vir Singh, ED (P&A), Mr. D K Mohapatra, ED (MM), Mr. Pankaj Kumar, ED (Projects), several CGMs, HoDs and other Senior Officers, as well as employees of BF-4, were present during the major technological process for the resumption of the Blast Furnace operation. The event was organised strictly adhering to the guidelines pertaining to COVID-19. The programme was also live streamed through the Youtube channel of RSTV so that more number of employees can witness the historical moment.

It is worth mentioning here that the Blast Furnace with a useful volume of 1658 cubic metre was commissioned on 3rd July, 1967 and has produced 25,57,2921 tonnes of Hot Metal since inception. The Furnace has achieved many milestones in the successful journey of its operation for the last many decades

.In his message on this occasion, Mr. Dipak Chattaraj said, “The RSP collective has completed the massive job in spite of the COVID-19 pandemic situation. I extend my heartiest congratulations to the employees of Blast Furnace as well as all the supporting units because of whose collective and determined efforts the blowing in of the furnace could be conducted successfully.”

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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