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Apsara Rani became darling of Media for her acting ability or nudity?

Mumbai:11/7/20: Ram Gopal Varma tweet 10,000 followers in 7 hours. That must be a record for a newcomer & Apsara Rani tweet I can’t tell how happy I am with this overflow of love ..10 k in 7 hours…. As an aspiring actor, it gives me so much encouragement and positivity…

While Ram Gopal Varma wants the world to believe that Apsara is his great discovery, she is actually a known actress.  In February last year, there came a disastrous Telugu film named ‘4 Letters’. Model-turned-actress Anketa Maharana was its lead actress.  This Anketa of 2019 is none other than the Apsara of 2020. Apsara Rani aka Anketa Maharana is also featuring in bilingual (Odia and Telugu languages) yet to release film Patnagarh that is based on the infamous parcel bomb case of Balangir in Odisha.

The ‘Climax’ and ‘Naked’ filmmaker has been saying that Apsara is based in Hyderabad and that when he met her for the first time, he was hit by the “hurricane” of her beauty.  The audience who watched the same “hurricane” in ‘4 Letters’ hardly had such an experience. Meanwhile, Apsara aka Anketa is becoming popular on Twitter she has gained more than 15,000 followers. Within 24 hours of RGV tagging her in his tweet, But this popularity is for Apsara Rani nude photo session from the up-coming web film Thriller not for her acting ability.


About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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