The idea of making images talk is not a 21st-century phenomenon as our forefathers were also equally amazed at the idea of presenting before viewers a tinsel craft. What to do with Bollywood or Hollywood, let’s talk about our own sweetheart Ollywood which has completed its 85 years of a journey recently. The first-ever Odia movie was far more entertaining than it’s contemporary Bangla or Asamiya movies. Yes! it was a talking one, it was ‘Sita Vivah’ released on April 28, 1936. The movie was a presentation by the well-known poet, writer and theatre personality Prabhupad Mohan Sundar Dev Goswamy, who had also a theatre group of his own. Goswamy was well versed with the Odia culture and tradition and his idea of making an Odia flick took shape after watching the first talking movie in Bollywood, the ‘Alam Ara’. The first-ever talking movie in India was ‘The Melody of Love’ released on December 29,1928. After that M. Irani gifted Indian viewers with Alam Ara in 1931. Not making much late. Goswami satisfied the Odia urge to watch a movie of their own. Accompanied by several art lovers he was able to release Sita Vivah with a meager investment of Rs 29,781 and 10 Ana (the currency which was in circulation in those days). Members of Madan’s theatre group were absolutely stunned after watching the English talking movie ‘The Melody of Love’ in the Elphinstone Picture Palace owned by him gave him a good hand in producing the Odia one.
Unlike his contemporaries, he never used the stage for preaching and did not appear in the role of a reformist. His ideas came as natural and integrated parts of the theme. In his dialogue he completely discarded convention and instead came near modernity by giving it a realistic facelift. His language was rhythmical yet communicative, simple and unornamented. Emotions and sentiments were balanced and his analytical observation of life keen and sharp. Previously, Oriya dramatists primarily had the elite class in view as their spectators. Mishra, for the first time, demolished the barrier between different classes of audiences by his modern approach, traditional but measured music, balanced humor and pathos. Hence his drama had and still has a mass appeal. SitaBibaha was so popular that it was made into a movie in 1936. That was the first film in Oriya.