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bride jhlik

Bengali Actress became Odia Bahu

Bhubaneswar:13/3/20: In 1998  Odia film GANGASIULI was released, this film was produced by Kamal lochan Sahu under the banner of Jyostna Arts.Through this  movie  Meenaketan debuted  in Negative role while Bengali actress   Srila for the first time essayed the role of Seema opposite Muna Khan,SriNibas  has directed this film along with penned Story, script, dialogue and composed the music.Gangasiuli  as a love story though not able to catch the audience but reel love story   became real as the Director Srinibas tied the nuptial knot with  Srila Now Bengali actress became Odia Bahu.Now Sreela  has essayed the mother role in odia tv serial

koyel jhlik

Odia actor  Bobby Mishra married to Koyal who is an odia  actress and a bengali girl. Koel’s debut movie in odia was ‘Tu Tha Mu Jauchi Rushi’ directed by Sritam. After that she is also paired opposite Babusan in ‘143 I Love You’. In 2010, Bobby Mishra and Koel Mukherjee acted in an odia film together as ‘Tate Bhala Pauchi Boli’. In  2012 Bobby Mishra tied the nuptial knot with Koyal Banerjee.

Now the turn of Jhilik Bhattacharya, Jhilik is an Indian actress mostly viewed in Ollywood movies filmed in Odia languages and Bengali movies. She hails from West Bengal. She made her ollywood debut with the film ‘Target’ opposite veteran odia actor  Mihir  Das”s son Amlan  who had also debuted through this movie produced  by  Niranjan Rana. Odia film actress Jhilik Bhattacharjee tied the nuptial knot with Sukinda MLA Pritiranjan Gharai, the actress informed sharing a marriage photo on her Instagram..

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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