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Anu is not out of her acting ability in ‘Anu Didi Not Out’

Bhubaneswar:10/3/20:  Veteran music  Director Akshya Mohanty  commenting on Paravati Ghosh”s directial debut  CHHA MANA ATHA GUNTHA said that  woman’s menstrual cycle  is a biological process but is it  necessary to  promote it in film without sufficient background ? Same question may be put to the director of ‘Anu Didi Not Out’, while the sanitary pad fall from the girl’s hand why the group of boy had laughed can the director justified? Another Male character who had serving in America as per story and came to choose his Bride from village not speak a single word throughout the film, Is that character is Dumb?

The background song in this film remember us the song   from sixty’s odia film. This is not at all coup with theme of this film. Some extra care was necessary during editing because while past live of ANU DIDI was reflected through her face but cause behind it not justified throughout the film, girl who was newly married how she came to participate in debate competition is also not revealed.

In spite of minor faults of ‘Anu Didi Not Out’ Directed by Tapas Sargharia is an excellent project to promote girls education in remote village. The movie showcases the girls of A the village breaking the societal barriers, raising their voice against exploitation and leading their way to success. As a protagonist Anu Choudhary did an excellent job it seems that in a character of a teacher in women’s college Anu has taken maximum responsibility in her shoulder to carry out the success of the film; it may be told Anu is not out of her acting ability.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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