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BJD MP from Kendrapara Anubhav Mohanty rubbished the allegations leveled by Odisha Congress against him

Bhubaneswar:2/2/20: BJD MP from Kendrapara Anubhav Mohanty today rubbished the allegations leveled by Odisha Congress against him saying that he submitted false affidavit on his educational qualification during 2014 Rajya Sabha election.

In a statement, Anubhav said, “The Congress press meet is a deliberate and malicious attempt to malign and defame me. The allegations made are completely false and baseless. I have dutifully undertaken my education and have reflected it honestly in my election affidavit submitted to the Election Commission.”

Earlier in the day, Congress leader Nishikant Mishra held a press conference and accused Anubhav of presenting a false affidavit while filing nomination for 2014 Rajya Sabha polls. Nishikant alleged Anubhav produced wrong educational details in the affidavit by saying that he graduated in Public Art subject from Souvik University of Technology, Meerut in 2014.

But the university was blacklisted in 2010. “When a university gets blacklisted no one can take admission or appear in exam. Above all, as per the RTI, Anubhav has not taken migration certificate from Utkal University for taking admission in Souvik University of Technology. This shows that Anubhav is still a Plus III student of Kandrapur College, Cuttack,” alleged Nishikant.

He demanded strict action against Anubhav for presenting false information about his educational qualification in the Rajya Sabha poll affidavit.

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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