Home » Entertainment » Odia girl Debosmita featuring as dancer in megastar Rajinikanth’s Tamil movie Darbar

Odia girl Debosmita featuring as dancer in megastar Rajinikanth’s Tamil movie Darbar

Bhubaneswar:24/9/19: It was a ‘dream come true’ moment for Odia girl Debosmita Patnaik when she received an offer in upcoming Tamil movie Darbar starring megastar Rajinikanth.

A resident of Paralakhemundi in Gajapati district, Debosmita will be seen as a dancer in the south movie scheduled to release on January 14 next year. The move also features south actress Nayanthara and Bollywood actors Suniel Shetty, Dalip Tahil and Prateik Babbar.Though Debosmita has performed in several reputed events, Darbar is her first movie project.


A BSc First Year student, Debosmita has her primary forte in classical dance forms-Odishi and Kathak. However, she is also excelling in other dance styles such as Chhau, Sambalpuri, Jazz, Salsa and Bollywood.

Debosmita, who started Odishi at a tender age of 3, has participated in national TV reality shows like Dance India Dance, Dance Deewane and Boogie Woogie. She has been staying in Mumbai for the last one year.  Though she had gone to Mumbai to join a month-long workshop of Bollywood choreographer Shakti Mohan, her passion for dance made her stay in the City of Dreams to further pursue her career in the field.

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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