Home » Entertainment » Judgemental Hai Kya’ has been in the headlines even before the film arrived in theatres

Judgemental Hai Kya’ has been in the headlines even before the film arrived in theatres

New Delhi:31/7/19: Kangana Ranaut and Rajkummar Rao starrer ‘Judgemental Hai Kya’ has been in the headlines even before the film arrived in theatres. First, it was the title of the film, that landed Prakash Kovelamudi directorial in controversy.

Soon after, at the song launch of the film in Mumbai, Kangana got into a heated debate with a journalist and accused him of running a smear campaign against her, that later resulted to a media ban. And now, in the latest, the film has come under fire for plagiarism.

On Monday, European artist Flora Borsi accused the makers of ‘Judgementall Hai Kya’ of plagiarising her work without her permission. She also claimed that the makers of the film neither asked for her permission nor reached out to her.

The artist took to Facebook to share a collage of her original art piece alongside one of the Kangana’s posters from the film. And two photos appear to be almost identical.

She wrote, “This movie poster plagarised my art! Could someone explain what’s happening, please? This is not right. #JudgementallHaiKya @balajimotionpic @sheenagola ??” She also retweeted one of Rajkummar Rao’s tweet and wrote, ‘Oh yeah, this image somehow reminds me of.. oh wait. looks like totally my work!’

The makers of ‘Judgemental Hai Kya’ are yet to issue a statement on the allegations.

Flora-kangana-poster (1)

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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