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Brij-Mohan-Khaitan

Veteran industrialist Brij Mohan Khaitan died

Kolkata:1/6/19: Veteran industrialist and Williamson Magor Group patriarch Brij Mohan Khaitan died on Saturday at his residence here. He was 92.

He was suffering from old-age ailments, according to company sources. A widower, he is survived by his younger son, Aditya, and only daughter Divya Jalan.

Khaitan had recently resigned as Chairman of the group’s flagship companies – dry cell battery maker Eveready Industries and tea producer McLeod Russel, citing his old age. He became Chairman Emeritus for both the companies.

West Bengal Chief Minister Mamata Banerjee expressed her condolences.

“Saddened at the passing away of noted industrialist BM Khaitan Ji. He was a much respected elder statesman of the business community of Bengal. My condolences to his family, his colleagues and his friends,” Banerjee said in a tweet.

Born in a family of lawyers (Khaitan & Co), Khaitan, who was known in global tea fraternity as the “evergreen tea man of India”, had made his tea empire in Assam and extended the business geography to Uganda, Rwanda and Vietnam.

Lauded as “a clear visionary” and one of the most humanitarian industrialists” of modern India, Khaitan made the tea industry Indian-owned in the era after Independence.

From a mere supplier of tea chests and fertilisers to the Williamson Magor company, he joined its board after his family became a saviour to the tea planter when a crisis loomed over the company in 1961.

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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