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‘ALUMOF’ – Mascot for INCAL-2019 at NALCO

in Business January 27, 2019 Comments Off on ‘ALUMOF’ – Mascot for INCAL-2019 at NALCO 1,026 Views

Bhubaneswar, 27.01.2019: ALUMOF, the Mascot of INCAL-2019 has been received at the Corporate Office of NALCO, Bhubaneswar on 24th,January,2019. Dr. Tapan Kumar Chand, CMD, NALCO welcomed the mascot, in presence of the Directors, senior officials and employees of the company.

It may be mentioned that ALUMOF – Aluminium : The Metal of Future, is the Mascot of the 7th International Conference and Exhibition, INCAL -2019, which is scheduled to be held from 31 st January to 3 rd February 2019 in Bhubaneswar.

The Mascot has been developed to promote the 7th International Conference and Exhibition on Aluminium, which has major focus areas in three levels – International Level : Projecting Aluminium the Metal of Future; National Level : Augmenting the huge scope of Aluminium Industry in India, by scaling up consumption of the metal; State Level : Promoting Odisha as the Aluminium Capital of India.

ALUMOF was formally launched by Hon’ble Union Minister of Parliamentary Affairs, Panchayati Raj and Mines Shri Narendra Singh Tomar, in the presence of Union Minister of State for Rural Development Shri Ram Kripal Yadav, several Members of Parliament, Shri Anil Mukim, IAS, Secretary, Mines and Dr. Tapan Kumar Chand, CMD, NALCO and Chairman, Aluminium Association of India on 21st January 2019 at the Statue of Unity, Vadodara.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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