Home » Literature » :Pratibha Ray’s JAGYASENI (ODIA) is stepping into its 100th edition

:Pratibha Ray’s JAGYASENI (ODIA) is stepping into its 100th edition

Bhubaneswar:30/12/18:Pratibha Ray’s JAGYASENI (ODIA)  is stepping into its 100th edition .From  its first edition in 1984 it has been an eventful journey till its  100th edition  in 2018. This is a milestone moment for Adya Prakashanee . The book has been translated into various languages, including English, Hindi, Malayalam, Marathi, Assamese,Gujarati,Sanskrit, Bengali, Nepali and Hungarian. Pratibha Ray’s meteoric rise to national fame flows mostly from her Yagnaseni (Daughter of Yagnasena“in the Mahabharat) which epitomizes the famed Mahabharat heroine Draupadi as a modern woman with an identity of her own Pratibha’s Yajnaseni brought her tremendous laurels including the prestigious Moorti Devi Award, AmrutaKeerti award and many more international recognitions.Yajnaseni has been adapted into dance ballets by Hema Malini, Kumkum Mohanty and also into a Nepalese dance drama.It has inspired songs and Pala as well.

3d dimenssion book domy for unveling at function_new

To celebrate  this glorious moment Adya Prakashani going organise an inauguration meeting   of  JAGYASENI (ODIA)100th Edition, Felicitation to JAGYASENI translator in different Indian Language  along with logo inauguration of  Pratibha Ray Foundation Trust on 30th December 2018 in Mayfair convention Hall(Ground floor) Jayadev Vihar, Bhubaneswar at 10AM, Padma Bibhusan and Jynapitha Awardee Dr. Sitakant Mahapatra will inaugurate the Event






About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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