Home » Smartcity Bhubaneswar » Painted the fly-over at Rasulgarh with the players’ lifelike portraits of 16 hockey captains
RASULGARH-FLYOVER-MURALS-1

Painted the fly-over at Rasulgarh with the players’ lifelike portraits of 16 hockey captains

Bhubaneswar1/12/18:: With the 16 hockey playing nations are battling it out at the Kalinga Stadium, artists of Bhubaneswar are creating wonderful murals and paintings on the walls across the city.

With the British hockey star Samantha Quek becoming emotional after seeing her image on a wall recently, artists Satyabhama Majhi and co-artist Pinaki Ranjan Mohanty with their hard-working team members have painted the fly-over at Rasulgarh with the players’ lifelike portraits.

“As the 16 captains from 16 countries are participating in Odisha Men’s Hockey World Cup, this artwork on the Rasulgarh Flyover is similarly a team effort by me, my co-artist Pinaki Ranjan Mohanty with 30 students from B.K, College of Art and Craft and Khalikote Art College,” said Satyabhama Majhi.

Pinaki said, “The city has come up with a colourful atmosphere and our work near the entrance of the city will make the first impression in the minds of people entering the city from the Cuttack side.”

It can be noted here that right from the themes of hockey players to local themes, traditional motifs, nature, wildlife, marine life, women of substance, modern themes and others the city has painted its walls and flyovers with beautiful motifs.

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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