Home » Odia Cinema » Hara Pattnaik penchant for acting & direction made him rule the hearts of cine lovers(On the Eve of 60thBirth Anniversary)

Hara Pattnaik penchant for acting & direction made him rule the hearts of cine lovers(On the Eve of 60thBirth Anniversary)

Bhubaneswar:12/10/18:Born on October 12, 1958 in Cuttack, Hara Pattanaik’s penchant for acting & direction made him rule the hearts of cine lovers in Odisha for decades. Truly, this intimidating villain of Odia films was an icon in his own distinct way. From performing incredibly in pathbreaking movies to turning superstars out of debutants under his direction, Pattanaik did it all. Having acted in over 60 films as an anti-hero including the blockbuster ones like Jor Jaar Mulak Taar & Daiba Daudi, Hara very soon became the Baadshah of negative characters in Ollywood. Besides, his direction of 19 Odia movies made him an iconic figure of Odisha’s film fraternity.

hara

However having succumbed to cancer, Hara’s journey meandered through a lot of hardships. The 57-year-old actor, who battled blood cancer left behind fans and film fraternity members mourning on January 13, 2015.  

So just to do our tiny bit in the memory of this legendary film personality, we have handpicked some of his most catchphrase dialogues. Scroll down & reminisce these iconic dialogues!

1. Ganga Kula Ku Asichi Jetebele Hata Na Dhoi Chalijibi  | Movie- Jor Jar Mulak Tar.

2. Rania Pua Maaniya | Movie: Sakhi Rahiba Mo Sankha Sindura. 3. Full Bobbaal | Movie: Pagala Premi  4. Nai Nai Nai Ma | Movie: Paradesi Babu 6. Chakmaachurr | Movie: Arjun  

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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