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Kabibar Radhanath Ray is the principal architect of the era of initial modernity in Oriya poetry(On the Eve of Birth anniversary)

Kabibar Radhanath Ray was born on 28th September 1848, at Kedarpur village in Balasore district. Father Sri Sunder Narayana Ray and Mother Smt. Tarini Dasi. In the gradual development of Oriya literature Radhanath Ray occupies an important position. His creations have enriched Oriya literature and it can be undoubtedly told that through his unique literacy creations Oriya poetry in the nineteenth century has got new life, asset & appeal.

Radhanath_Granthabali_(Radhanath_Ray).pdfkabibar

He believed in Keat’s words that ‘A thing of beauty is a joy for ever. He is a panegyrist of nature. His poetries include Kedar Gouri, Chandrabhaga, Nandikeshwari, Usha, Parvati, Chilika, Mahajatra – Jajatikeshari, Tulasistabaka, Urbashi, Darabara, Dasaratha Biyoga, Savitri Charita & Mahendra Giri. Besides he has written more than fifteen essays. He died on 17th April, 1908.

Kabibar Radhanath Ray is the principal architect of the era of initial modernity in Oriya poetry. Kabibar Radhanath Ray wrote poetry during the later part of nineteenth century and is honored in Oriya literature with the title “Kabibara”. In the gradual development of Oriya literature Radhanath Ray occupies an important position.  His creations have enriched Oriya literature and it can be undoubtedly told that through his unique literacy creations Oriya poetry in the nineteenth century has got new life, asset & appeal

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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