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Central government has cancelled the proposal for a water aerodrome project at the Chilika Lake

Bhubaneswar:11/9/18: The Central government has cancelled the proposal for a water aerodrome project at the Chilika Lake in Odisha.

Susanta Nanda, Chief Executive of Chilika Development Authority (CDA), said the Airports Authority of India (AAI) informed, in a letter to the state government, the seaplane project in the Chilika Lake has been cancelled.

Nanda said that the AAI withdrew its plan saying the proposal will negatively impact the ecosystem and the surrounding human population.

AAI Chairman Guruprasad Mohapatra has informed to Chief Secretary Aditya Prasad Padhi about the aviation body’s decision not to go with the plan.

“Following a request from the state government through video conferencing to cancel the project as it would affect Chilika’s ecology, we have cancelled the project,” he said.

The AAI has decided to drop the proposal after environmentalists and the CDA raised objections citing “ecological” hazards.

In the letter, Mohapatra stated that AAI wants development of the state and, therefore, if the Odisha government agrees for water aerodrome in any other locations then AAI will provide all the assistance.

Notably, the CDA in a report had informed that seaplanes will “seriously jeopardize” the habitat of Chilika’s nearly one million avian visitors, which include 230 bird species and 97 migrants from the Arctic and Eurasian regions.

 

About Ashok Palit

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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