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Director General of Police reviewed the security arrangements at the Kalinga Stadium for the Hockey Men’s World Cup

in Smartcity Bhubaneswar August 19, 2018 Comments Off on Director General of Police reviewed the security arrangements at the Kalinga Stadium for the Hockey Men’s World Cup 1,150 Views

 

Bhubaneswar:19/8/18: Director General of Police (DGP) RP Sharma on Saturday reviewed the security arrangements at the Kalinga Stadium for the Hockey Men’s World Cup to be held in November this year.

Sharma and all senior officers of the Commissionerate Police, Sports Secretary Vishal Dev and other officials of the state government, Hockey India officials, event management officials and senior officers of State Police Headquarters were present.

 

All aspects of security including arrangements at the stadium, traffic, parking were discussed during the meeting. All issues were discussed during the meeting.

The Odisha Hockey Men’s World Cup 2018 will be the 14th edition of the biggest tournament in Men’s Hockey and the third time that India will be hosting it after having organised it in 1982 in Bombay and in 2010 in New Delhi.

A total of sixteen nations will take part in the tournament which will see each team play three matches during the league stage over the span of twelve days before four cross-over matches take place on 10th and 11th December.

The knockout matches will take place on 12th, 13th, 15th and 16th as the teams will look to become the Champions of the prestigious quadrennial event which was won by Australia in 2014.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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