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Lakhs of devotees witness Lord Jagannath’s ‘Bahuda Yatra’

Puri:22/7/18: Braving intermittent rain, lakhs of devotees from across the country and abroad today thronged at the grand road at Puri to witness Lord Jagannath’s ‘Bahuda Yatra’ (return car festival).

A multi-layer security net was thrown in the town with heavy deployment of forces to ensure smooth celebrations and prevent any untoward incident, a senior police official said.

 

The divine siblings were taken to their chariots in an elaborate ritual called ‘Pahandi’ to the beating of gongs, cymbals and blowing of conch shells. Lord Jagannath was ensconced in the largest of the three chariots – the 45 feet-high ‘Nandighosh’,  Balabhadra in his 44 feet-high ‘Taladhwaja’ and Subhadra in her 43 feet-high ‘Darpadalan’.

Gajapati King of Puri Divya Singha Deb performed the ‘Chhera Pahanra’ ritual. He offered prayers to the deities and then swept the platforms of the chariots with a golden broom and sprinkled flowers and fragrant water.

The deities, who had embarked on a nine-day sojourn to the Gundicha Temple during Rath Yatra, would finally re-enter the 12th century shrine and again be placed on the ‘Ratna Simhasana’, the bejewelled throne, following a ceremony called ‘Neeladribije’.

Ahead of ‘Neeladribije’, the deities would be decorated with ‘suna besha’ or golden attire on Monday on their chariots, which traditionally attracts a large number of devotees from all over.

 

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.
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