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INTACH Bats For Transfer Of Odisha Documents

Bhubaneswar: A delegation of the Indian National Trust for Art and Cultural Heritage (INTACH) today met Pritam Singh, the Director General of the National Archives of India  at the Bhubaneswar Centre and handed over a memorandum with the request for transferring many Odisha related documents and records from New Delhi. The National Archives of India, which just completed its 125th anniversary, is under the Ministry of Culture and has a Regional Office at Bhopal and three Records Centres at Jaipur, Puducherry and Bhubaneswar.

The  three member delegation led by INTACH State Convenor Amiya Bhusan Tripathy, Bhubaneswar Chapter Convenor Baikuntha Panigrahi  and  Projects Co-ordinator Anil Dhir met the Director General and appraised him of the difficulties faced by scholars and researchers  who have to go to Delhi to  access the records. The New Delhi office is holding many important and valuable records pertaining to Odisha, many of them have not even been listed.  In the memorandum, they specifically mentioned that the entire records of the Orissa State Agency (1917-1947) in 18 Volumes, the Balasore Factory Records and The Bengal Public Consultations in 22  Vols are of great importance, and the only copies are in Delhi.

 

The Director General said that the National Archives was in the process of digitizing nearly 3 crore documents and assured that he would prioritize the important Odisha papers. Dr. M.A. Haque, the Deputy Director of Archives and Dr. Lalatendu Das Mohapatro, Assistant Director too were present at the meeting.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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