Home » Odia Cinema » Nirupa Ray of Odia Film Industry Anita Das Breathed her last

Nirupa Ray of Odia Film Industry Anita Das Breathed her last

Cuttack:11/5/18;Veteran Odia film actress Anita Das breathed her last on Friday, 11th May 2018 . She was 67. She died of cardiac arrest at her residence near Shelter Chhak in Cuttack..
Anita Das was born on 1st October in 1951. The actress was best known for restraint and subtlety in portrayal of varied emotions. She was introduced to the film industry by Akshaya Mohanty, Hemant Das, and Bijay Mishra in Jajabara 1975. She paired with Gobind Tej in her next film Krusna Sudama.

 

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She shot to fame instantly with her portrayal of a Female Leads that Make Guys Cry. Despite displaying her acting prowess through characters in films like Jajabara, krushna Sudama, Bandhu Mahanty, Naga Phasa, Tapoi, Sankha Mahuri, Sautuni, Samar Salim Saimon, Mathura Vijay, Alibha Daga, Tapasya, Ram Balram, Maa O Mamata, Akshi Tritiya, Swapna Sagara, Anita was best known for her performance in Pua Mora Kala Thakura.. She played leading roles in her early films and started playing mother roles during the 80s. Pua Mora Kala Thakura was a turning point to her career. Her acting career spanned more than 40 years, and she acted in over 100 films.
Expressing deep grief over untimely death of Anita Das, Chief Minister Naveen Patnaik said she will be remembered for her immense contribution to Odia film and TV industry.

About Editor in chief

Ashok Palit has completed his graduation from Upendranath College Soro, Balasore and post graduation from Utkal University in Odia Language and literture.. He has also carved out a niche for himself as a scribe of eminence after joining the profession in 1988. He is also an independent media production professional. He brings loads of experience to Advanced Media, Ashok Palit as a cineaste has been active in film criticism for over three decades. As a film society activist, he soared to eminence for his profound commitment to the art film appreciation and aesthetics of cinema. His mode of discourse is often erudite but always lucid and comprehensible marked by a perfect acumen so rare in the field. A film aesthete with an immense fond of critical sensibilities, he wrote about growth and development of odia cinema in New Indian Express, The Times of India, The Hindustan Times, The Asian Age and Screen. He has been working as an Editor for Cine Samaya from 2002-2004.. He had made solid contribution on cinema in many odia Dailies and weekly such as Samaj, Prajatantra, Dharatri, Samaya, Satabadi, and weekly Samaya.

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